Reference Number 1956.1022 IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Status Currently Off View Department Prints and Drawings Artist Andrea Mantegna Title Descent into Limbo Place Italy (Artist's nationality) Date 1475–1480 Medium Engraving in black ink on cream laid paper Dimensions 42.2 × 33.4 cm (16 5/8 × 13 3/16 in.) Credit Line Bequest of Mrs. They seem to be flying, one of them distractedly doing acrobatic tricks instead of blowing his horn. These devils, with their scales and reptilian tails, resemble dragons, and have elflike ears. The demons that represent the torments of hell herald Christ’s arrival. On the right, Adam and Eve are seen with their righteous son Abel, while Cain has been left in hell for murdering his brother. This was really nice, because we just shot it and then afterwards could decide what it was.In this deeply engraved, drawinglike print, Christ strides over the demolished gates of hell, carrying a victory standard. It feels “Hollywood.” I want to make films and videos, but not until I know I can do it exactly how I want to. The buildings are wide.Ĭharlotte: It’s really cinematic as well, automatically.
That's the one of the things you take from it. We didn't have a lot of time in any of them.Īrchy:Ěmerica is super wide. I think just finding that bag, it was like, "Oh, shit." Toluca, Houston, Tampa, Arizona, all of these places.Ĭharlotte:Ěll the locations were amazing. I could literally map it out.Ĭharlotte: There were some pretty odd places as well.Īrchy: Whilst we were touring, there was a lot of stops in the middle of nowhere, where we weren't playing, but we were staying for one night. I've got hotel keys from every hotel, all of the receipts, everything. I'm like a mass hoarder when it comes to notes and stuff.
Hieronymus Bosch Christ In Limbo, about 1575 Oil on wood 22 7/8 × 28 3/8 in 58.1 × 72. But even here, like in Biscuit Town, it's the same character experiencing it.Ĭharlotte: Which is a bit separate from yourself, and I think that whenever you talk about those characters, you do reference films and certain people.Īrchy: I actually just found my bag from that tour and I haven't unpacked it. The indefatigable artist has been the subject of exhibitions at the world’s most prestigious institutions, from the Museum of Modern Art and Centre Pompidou to the Stedelijk Museum and Tate Modern. It was interesting, because the song disintegrates into something completely different before the end. And then, he wasn't on the plane.Īrchy: It goes back to being let loose on some beautiful imagery. But we were going to film loads on the plane too. So we couldn't film him anymore, and we missed the competition's deadline.Īrchy: He didn't get left there because he was drunk.Ĭharlotte: No, he got left because they fucked up the visa thing.
Everyone wanted to get drunk, and then Galgo got left in Mexico. We wanted to enter a sci-fi competition and shoot a video on tour in 24 hours, but when we got to Mexico no one really wanted to leave. We were very lucky in terms of the landscapes and the architecture that we got to film against.Ĭharlotte: We had all these amazing locations to film. We'd put on our outfits and go out and film it. My outfit stayed the same and Galgo's outfit kind of stayed the same. Him behind me playing sax and then disappearing. So, the concept of the video became that he’s this important figure that I couldn’t quite get my hands on. Archy: Galgo came along in real life and influenced me to write more and more.
0 kommentar(er)
